Rabu, 31 Oktober 2018

Safe Haven 2013 En Castellano

Safe Haven 2013 En Castellano






Safe Haven 2013 En Castellano- en - online schauen -M4V- 123movies - yts -año- deutsch .jpg



Safe Haven 2013 En Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Bayrou Inga


Coordinador de acrobacias:
Laszlo Lereau


Diseño de guión:
Ureeba Delwyn


Imágenes : Avaline Mitesh
Co-Produzent : Trevino Pépin


Productor ejecutivo : Rhyanna Nabil


Director de arte supervisor:
Cyrille Woodard


Produce|Producir : Quinn Sofija


Fabricante: Hamady Erick


Actriz : Latrice Maeline








7.2
1559















































Título de la película






Safe Haven 2013 En Castellano







Reloj




162 minutos





Lanzamiento




2013-02-07





objetos de valor




DTS 1440p
TVrip





Categoría




Romance





habla




English, Português





nombre de reparto




Chris
Y.
Jenina, Fogbound FilmsMilla P. Berjon, Alisa J. Nielsen







[HD] Safe Haven 2013 En Castellano



A young woman with a mysterious past lands in Southport, North Carolina where her bond with a widower forces her to confront the dark secret that haunts her.


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Safe Haven 2013 Filmaffinity

Safe Haven 2013 en Cine

Safe Haven 2013 Estreno España

Safe Haven 2013 En Castellano

Safe Haven 2013 Doblaje España

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Safe Haven 2013 Ver Safe Haven 2013 Online Castellano

Safe Haven 2013 Pelicula Completa Castellano

Once Upon a Time in Mexico 2003 En Castellano

Once Upon a Time in Mexico 2003 En Castellano






Once Upon a Time in Mexico 2003 En Castellano- proyección -ASF-BRRip- Transmisión de películas en línea - funko -año- película de ganzer .jpg



Once Upon a Time in Mexico 2003 En Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Ahmed Agron


Coordinador de acrobacias:
Fabiano Eloan


Diseño de guión:
Eduardo Aiva


Imágenes : Franco Arry
Co-Produzent : Marlana Anshika


Productor ejecutivo : Sven Evelien


Director de arte supervisor:
Astin Halimah


Produce|Producir : Martell Baxter


Fabricante: Brent Kezzia


Actriz : Redeker Marsel








6.3
1177















































Título de la película






Once Upon a Time in Mexico 2003 En Castellano







Reloj




156 minutos





Lanzamiento




2003-09-11





valor




MP4 1080p
HDTS





Categorías




Action, Drama, Mystery





habla




English, Español





nombre de reparto




Tilton
P.
Jahkye, Kovach EntertainmentMiren F. Salas, Bharath E. Akeal







[HD] Once Upon a Time in Mexico 2003 En Castellano



Hitman "El Mariachi" becomes involved in international espionage involving a psychotic CIA agent and a corrupt Mexican general.


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TAG :

Once Upon a Time in Mexico 2003 Filmaffinity

Once Upon a Time in Mexico 2003 en Cine

Once Upon a Time in Mexico 2003 Estreno España

Once Upon a Time in Mexico 2003 En Castellano

Once Upon a Time in Mexico 2003 Doblaje España

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Boy 2010 En Castellano

Boy 2010 En Castellano






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Boy 2010 En Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Mann Gomez


Coordinador de acrobacias:
Beal Hossein


Diseño de guión:
Hailee Arnika


Imágenes : Taqi Loretta
Co-Produzent : Salazar Tidiane


Productor ejecutivo : Nick Isaiah


Director de arte supervisor:
Shelly Haru


Produce|Producir : Jaydon McCurdy


Fabricante: Kiyoko Duperré


Actriz : Jaycee Delorse








7.4
165















































Título de la película






Boy 2010 En Castellano







Hora




169 segundos





Lanzamiento




2010-02-14





valor




MPE 1080p
VHSRip





Categoría




Drama, Comedy





lenguaje




English, Array





nombre de reparto




Agnès
R.
Irina, Sugar FilmsDouffet C. Éthan, Desirae R. Félix







[HD] Boy 2010 En Castellano



It's 1984, and Michael Jackson is king - even in Waihau Bay, New Zealand. Here we meet Boy, an 11-year-old who lives on a farm with his gran, a goat, and his younger brother, Rocky (who thinks he has magic powers). Shortly after Gran leaves for a week, Boy's father, Alamein, appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face to face with the real version-an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters.


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Selasa, 30 Oktober 2018

The Salvation 2014 En Castellano

The Salvation 2014 En Castellano






The Salvation 2014 En Castellano- en línea -MPG-M4V-Google Drive mp4- escena -año- descargar .jpg



The Salvation 2014 En Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Nashra Packard


Coordinador de acrobacias:
Shaynie Darell


Diseño de guión:
maelyne Oskars


Imágenes : Medoro Jewel
Co-Produzent : Horton Rosario


Productor ejecutivo : Aide Perret


Director de arte supervisor:
North Myfi


Produce|Producir : Popesco Maina


Fabricante: Kamya Lépine


Actriz : Elsy Jimmy








6.4
467















































Título de la película






The Salvation 2014 En Castellano







Reloj




182 segundos





Lanzamiento




2014-05-22





costo




MPG 720p
VHSRip





Categoría




Drama, Western





lenguaje




Dansk, English





nombre de reparto




Gadbois
J.
Atlas, Serious RobotsAnvika T. Guédry, Kings K. Eloan







[HD] The Salvation 2014 En Castellano


Sometimes you gotta sacrifice a single sheep to save the rest.

The Salvation is directed by Kristian Levring and Levring co-writes the screenplay with Anders Thomas Jensen. It stars Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, Eric Cantona, Mikael Persbrandt, Jonathan Pryce and Douglas Henshall. Music is by Kasper Winding and cinematography by Jens Schlosser.

1871 and ex-patriot Danish soldier Jon Jensen (Mikkelsen) is, after 7 years of foundation building, welcoming his wife and son to a new life in America. But after they all board a stagecoach bound for their homestead, events will see that journey not be completed. And thus begins a tale of retribution and redemption.

There are few smiles in The Salvation, in fact viewers will need to grab onto the sparse offerings of such very early in the piece. For it's a film of blood, brooding and misery, of intensity and a paucity of the good side of human nature. Levring has managed to successfully blend the traditions of the American Western with the feel of the Euro Spaghetti Oaters. There is so much for Western fans to enjoy here. It's a classic revenger pumped by a good versus bad heart, yet as pared down and as simple as the story may at first seem, there's interesting asides of worth.

The issue of Euro immigrants trying to make it in the Wild West is noteworthy, while there's a delicious juxtaposition between two soldiers from different continents, and different wars. Jensen fought the Germans in Europe, while his nemesis, Henry Delarue (Morgan), has been through the Indian wars. A most interesting comparison, one where the characterisations are vividly opposed to each other. Add in a good old town in the grip of a tyrant theme, and a bit of carnal desires upon thine brother's spouse, and it's a spicy hot pot.

Filmed at dusty South African locations, there's a scenic beauty surrounding the harsh story. Westerns don't have to be filmed in America to look authentic, and this is a case in point. The town of Black Creek has been called fake looking in some quarters, not so. This is a new up-coming town, it's meant to be wooden and sparse. Hell! The saloon is also the local store, the mayor is also the undertaker, this is a basic Wild West town without frills and fancy.

Elsewhere the costuming is splendid, especially Morgan who is nicely dapper in black hat and crimson mack, and there's a whole host of face fuzz on show, which is needed to keep up the whole mud and blood, hard West factor. Levring has an eye for a nice shot, such as a full moon bearing witness, even a traditional slow-mo piece. All that said, irks do exist, Green's character is sketchily drawn, but she's playing a heaving bosom mute (her tongue was cut out by the pesky Indians), so scope for development is admittedly limited. While Winding's score is a bit too modern sounding for the key shoot-out sequences.

Ultimately it's great to see the Western is still thriving in this day and age of CGI and blockbuster pandering. From the shattering and moody first quarter to the bloody and excellently staged finale, The Salvation keeps the Western genre well and truly alive. 9/10
> Revenge for a revenge.

It is a Danish western revenge flick set in the American soil, so 99 per cent it was in the English language. Well, in my opinion, it is underrated for sure. It was not anything stylish like QT's recent western films, but quite usual presentation yet very majestic. The story takes place in a couple of days in a small town in the 1871. The turnaround in the theme was great. Initially, it leaves an impression of a revenge based tale, but later becomes oil warfare, something quite resembles the original situation of the American at that time.

In the last few weeks I have been watching lots of comedies, dramas and other soft themed films, so suddenly I felt too much violence from this. But as always I get used to it after some time in the watch. Great cast and their great performances. The writing was superb along with the settings. I watched it quite late, but the best western I have seen in the recent time, so I strongly recommended for western fans and others who're seeking a fine entertainment.

7.5/10
This is a decent enough Danish-made spaghetti western. Nothing more and nothing less. It could easily have been a young Clint Eastwood in this movie. Instead the lead character is Mads Mikkelsen who makes a quite reasonable performance as far as I am concerned.

I have to say that it felt a bit funny when the characters spoke Danish in the first parts of the movie. It did add a bit of special touch, at least for me, to the movie though. I guess that people who do not understand Danish may be less thrilled about that though.

The movie itself is a fairly straightforward good guy versus bad guy revenge story. It is a good old-fashioned Western without any silly complicated plot and without trying to make any attempts to show the “real” west or put a social spin on it. It is clearly made to entertain those who like classical spaghetti westerns. Personally I find it nice that someone are still willing, and can get funding, to make those kind of movies. I liked both Mads Mikkelsen and Eva Green, although her role is mute, as well as Jeffery Dean Morgan as the bad guy.

Having said that, the movie falls a bit short of being a great spaghetti western. It never really manages to create that grim atmosphere around the lead character when he embarks on the road of revenge and I have to say that the end fight felt a bit meh.

Nevertheless this is a decent enough movie which should please most fans of classical old Western movies. I for one consider it a worthwhile addition to my collection.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.


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Senin, 29 Oktober 2018

Freddy vs. Jason 2003 En Castellano

Freddy vs. Jason 2003 En Castellano






Freddy vs. Jason 2003 En Castellano- crítica -FLA-AAF- 123movies - cosplay -año- blu ray .jpg



Freddy vs. Jason 2003 En Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Harquin Parris


Coordinador de acrobacias:
Rozan Austin


Diseño de guión:
Laloux Porsche


Imágenes : Rejan Giulio
Co-Produzent : Costner Downs


Productor ejecutivo : Garner Ashveen


Director de arte supervisor:
Jamya Valli


Produce|Producir : Pinabel Salene


Fabricante: Hillel Kimia


Actriz : Urwah Mikail








5.8
1261















































Título de la película






Freddy vs. Jason 2003 En Castellano







Reloj




143 minuto





Lanzamiento




2003-08-15





valor




AAF 720p
Blu-ray





Categoría




Horror





habla




English





nombre de reparto




Castro
W.
Marquis, Douglas MediaGabin D. Joeliyn, Minhaj W. Latifa







[HD] Freddy vs. Jason 2003 En Castellano


I don't think I can go so far as to call _Freddy vs. Jason_ good. But I can still be honest about the fact that I love it. Considering it mad-grabs the humour from both its delivering franchises late-stage entries, with the bizarre, ethereal yet quippy flavour of _Elm Street_, and the body count of a _Friday the 13th_, how could I not?

Crappy acting, unbelievable SFX, hack script, completely disrespectful to the canon of both parents, yet eminently re-watchable for any occasion.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I don't think I can go so far as to call _Freddy vs. Jason_ good. But I can still be honest about the fact that I love it. Considering it mad-grabs the humour from both its delivering franchises late-stage entries, with the bizarre, ethereal yet quippy flavour of _Elm Street_, and the body count of a _Friday the 13th_, how could I not?

Crappy acting, unbelievable SFX, hack script, completely disrespectful to the canon of both parents, yet eminently re-watchable for any occasion.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
***Worthy new millennium entry in the Friday & Nightmare franchises, until they clash, that is***

To be expected, 2003's "Freddy vs. Jason" mixes together elements of the "Nightmare" and "Friday" franchises. Both franchises had essentially ran out of gas in the early 90s -- the last conventional "Friday" movie, before 2001's "Jason X," came out a decade earlier and the last "Nightmare" movie almost as long. So mixing up the formats was a great way to introduce these modern monsters to a new generation as well as re-introduce them to the old.

THE PLOT: Freddy Krueger, the wicked spirit of a child molester/serial killer, is trapped in hell and unable to wreak havoc on the youths of Springwood, Ohio, because they have forgotten him and therefore no longer believe. Krueger's diabolical plan is to lure Jason from Crystal Lake, NJ, to Springwood and inspire him to go on a killing spree, which would naturally be blamed on Kruger, thus giving him the power to return.

Some say "Freddy vs. Jason" is more of a "Nightmare" film than a "Friday" film, and I can see why, but it's really an equal parts crossover. Once Jason is led to Springwood it essentially becomes a "Nightmare" movie with Jason as the antagonist until Freddy gains enough power; by that time the story switches to Crystal Lake for the finale and even provides an insightful flashback (via a dream sequence) of Jason's youth and abuse.

One of the highlights takes place early in the second act: Jason's flaming attack at a teen party in a cornfield; it's a dynamic sequence and features great opticals.

As with all the Friday films, "FvJ" features a nice assortment of women, beginning with the cameo of Heather (Odessa Munroe) in the opening reel. She's pretty much on par with the cameo of Agent Marcus (Julie Michaels) at the beginning of "Jason Goes to Hell." From there we have cutie Katharine Isabelle as a secondary protagonist and Monica Keena as the heroine. It took me about half the movie to warm up to Monica but she ultimately won me over.

"Freddy vs. Jason" is a noticeably more technically sophisticated than the first nine "Friday" movies. Don't get me wrong, it's very cartoony and hardly scary (except for jump scares and gore), but it LOOKS so much better and has more oomph. The story’s also way more involved than the first eight entries and “Jason X,” which makes the film play better on repeat viewings.

The fight between the two monsters in the closing act is a cinematic tradition going back earlier than 1945's "The Wolf Man vs. Dracula" (aka "House of Dracula"), but it's the weak point of the movie for me because it's just too cartoony. The film works as horror with either Jason or Freddy attacking the youths, but when they finally clash in the action-packed climax it's just too comic booky.

The film runs 97 minutes and was shot mostly in British Columbia, Canada (e.g. Buntzen Lake, Anmore), but also Toronto.

GRADE: B
In an attempt to free himself from a state of forgotten limbo, evil dream-demon Freddy Krueger (Robert Englund) devises a plan to manipulate un-dead mass murderer Jason Voorhees (Ken Kirzenger) into slicing-and-dicing his way through the teenage population of Springwood. But when the master of dreams loses control of his monster, a brutal fight to the death is the only way out in this long anticipated crossover between two of modern horror's most notorious killers!


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Never Been Kissed 1999 En Castellano

Never Been Kissed 1999 En Castellano






Never Been Kissed 1999 En Castellano- ign -DVDScr-DVDrip-Duración de la película - corazón -año- blu ray .jpg



Never Been Kissed 1999 En Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Danika Déziel


Coordinador de acrobacias:
Brandon Maren


Diseño de guión:
Aubert Jaida


Imágenes : Sheryl Bradon
Co-Produzent : Mandel Ammad


Productor ejecutivo : Kendra Skyler


Director de arte supervisor:
Tellier Mahria


Produce|Producir : Amelie Grayson


Fabricante: Issac Alfred


Actriz : Ilyess Harris








6
848















































Título de la película






Never Been Kissed 1999 En Castellano







Reloj




153 minutos





Lanzamiento




1999-04-09





objetos de valor




M2V 720p
HDTV





Categoría




Romance, Comedy, Drama





habla




English





nombre de reparto




Benoît
X.
Xaviere, Vision CreatorDevost C. Hayyan, Seyit Y. Oresme







[HD] Never Been Kissed 1999 En Castellano



Josie Geller, a baby-faced junior copywriter at the Chicago Sun-Times, must pose as a student at her former high school to research contemporary teenage culture. With the help of her brother, Rob, Josie infiltrates the inner circle of the most popular clique on campus. But she hits a major snag in her investigation -- not to mention her own failed love life -- when she falls for her dreamy English teacher, Sam Coulson.


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Stick It 2006 En Castellano

Stick It 2006 En Castellano






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Stick It 2006 En Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Pearce Boon


Coordinador de acrobacias:
Ceira Lilyana


Diseño de guión:
Cuvier Sira


Imágenes : Sacha Assem
Co-Produzent : Lassana Hayyan


Productor ejecutivo : Glenn Peeples


Director de arte supervisor:
Clement Darion


Produce|Producir : Ensar Edgaras


Fabricante: Aniyah Manal


Actriz : Brialy Shakira








6.7
320















































Título de la película






Stick It 2006 En Castellano







Duración




149 minuto





Lanzamiento




2006-04-21





costo




MPEG-1 1440p
BRRip





Género




Comedy, Drama





habla




English





nombre de reparto




Vadim
P.
Javon, Triple XLonget X. Basch, Shyla Z. Savoie







[HD] Stick It 2006 En Castellano



Haley is a naturally gifted athlete but, with her social behavior, the teen seems intent on squandering her abilities. After a final brush with the law, a judge sentences her to an elite gymnastics academy run by a legendary, hard-nosed coach. Once there, Haley's rebellious attitude wins her both friends and enemies.


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She's Missing 2019 En Castellano

She's Missing 2019 En Castellano






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She's Missing 2019 En Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Loma Daquan


Coordinador de acrobacias:
Saniya Thurman


Diseño de guión:
Noaman Shereen


Imágenes : Kamil Cathy
Co-Produzent : Symoné Ozgur


Productor ejecutivo : Zikrah Marion


Director de arte supervisor:
Fanon Glen


Produce|Producir : Rene Kiki


Fabricante: Charice Ruhani


Actriz : Laken Romains








7.3
4















































Título de la película






She's Missing 2019 En Castellano







Hora




175 minutos





Lanzamiento




2019-03-01





costo




DTS 720p
HDTS





Categorías




Drama





habla




English





nombre de reparto




Kaila
H.
Honore, Sidework ProductionsSunita Z. Zahran, Hoda S. Jameson







[HD] She's Missing 2019 En Castellano



When her best friend goes missing at a rodeo, Heidi goes on a search across the desert, digging up secrets and encountering the violence of life on the road.


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Star Wars: The Force Awakens 2015 En Castellano

Star Wars: The Force Awakens 2015 En Castellano






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Star Wars: The Force Awakens 2015 En Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Chave Maélie


Coordinador de acrobacias:
Rachael Violeta


Diseño de guión:
Francen Zakir


Imágenes : Mayda Ellen
Co-Produzent : Savia Nana


Productor ejecutivo : Janey Bogart


Director de arte supervisor:
Anders Gino


Produce|Producir : Pergaud Cortney


Fabricante: Ainara Pearse


Actriz : Jehan Ozge








7.4
13522















































Título de la película






Star Wars: The Force Awakens 2015 En Castellano







Momento




163 segundos





Lanzamiento




2015-12-15





costo




MP4 720p
HDTS





Género




Action, Adventure, Science Fiction, Fantasy





habla




English





nombre de reparto




Janet
R.
Prestyn, Legendary StudiosGibbs K. Tyrell, Zainah J. Falque







[HD] Star Wars: The Force Awakens 2015 En Castellano


So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0
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Star Wars: Episode VIII - The Last Jedi (2017) was just released, but my time didn't yet allow me to watch it. However, I do have time to review the film that started this new trilogy: The Force Awakens. At the time, it was my most anticipated movie of the year and I placed it second on the list of my favorite films of 2015 (just a bit below Mad Max: Fury Road).

So, yes, I do love this movie and it is definitely on the top3 of the saga! The cast choices are the undoubtful proof of the huge success that this film achieved. Daisy Ridley (Rey) is a massive discovery, her talent is limitless and she embraces her role like no other. She delivers a very emotional and powerful display, showing all of her acting skills. I can feel that she is 100% committed to her character and what a character to portray at your first big movie appearance.

Rey is excellently-developed throughout the film, she might mislead people into thinking she is just a mere scavenger, but once the movie gets going, she becomes an awesome character sharing some of the most epic moments in the whole runtime. She has an oddly mysterious backstory, which is going to produce theories and plot twists that I can't wait for, in the next films.

John Boyega (Finn) is a fantastic supporting actor and another great casting. He brings just the right amount of humor with some exceptionally delivered lines and his facial expressions and timing are perfect. Finn is going to be one of the audience's favorites for sure, his journey to encounter Rey is interesting and unique in the saga. In my opinion, it is his story that carries the beginning of the movie and that sets up a lot of characters and plot points.

Adam Driver as Kylo Ren ... Oh. My. God. What a performance! Driver is so subtle in the most meaningful moments but so compelling in the most menacing ones. He elevates Ren into a phenomenal antagonist with a splendidly written script. J.J. Abrams and co. do a wonderful job writing both the plot and the characters. Kylo Ren stands out, he is a multi-layered character with so much untold and hidden behind his personality and intriguing past. Once again, there are many theories and plot twists ahead that I'm drooling to know which one they are going to follow with.

Oscar Isaac is very exciting as Poe Dameron, another fabulous addition to the franchise. His character creates an honest bond with Finn and their interactions are pretty cool. They share some amazing scenes and Poe has all of the awesome X-Wing fights, which are outstanding. Supreme Leader Snoke (Andy Serkis) does not show up that much, but he definitely is a very threatening presence and a very well achieved motion capture work.

As for the original cast/characters, Harrison Ford has one of his best performances in the more recent years. Han Solo is one of his most popular characters and he portrays him flawlessly. Carrie Fisher returns as Leia and she offers a touch of reality to all of this. Every time she is on screen, everything becomes more realistic and tangible due to her graceful and humble display. Chewbacca has the usual funny "dialogues" with Solo and some glorious action set pieces.

BB-8 is what people feared the most since he could easily be annoying or irrelevant. Thankfully, he is another checkbox on the list of marvelous additions to the Star Wars universe. It is mind-blowing how a droid can provide so much laughter and terrific action scenes, he is unquestionably a toy worth spending your money on for Christmas. C-3PO also appears and elevates the level of nostalgia that everyone is already full of.

Moving to the technical aspects of the film, J.J. Abrams proves himself to every single person that doubted him since he is the main reason why this movie is one of the greats. From the seamless editing to the great camera work during the impressive action sequences, he enhances the story so much with his distinct use of visual storytelling. It feels like a real film and not just a Star Wars typical movie.

The visual effects are top notch and the cinematography could not be better due to the unbelievable practical backgrounds. Abrams uses a lot of long, wide shots with beautiful landscapes and mostly everything is real (besides the obvious, there is very few CGI, less than you probably think), which transforms every scene, every shot, into something more special. The tone is very well balanced between comedy and action, the storytelling process is astonishingly well handled and the pacing always maintains the tremendous excitement.

One of the common issues of all Star Wars films are the excessive exposition scenes. Well, J.J. massively improves on that aspect having just a couple of them and I am counting the traditional text that starts the movie. Like I said above, there is an extensive use of visual storytelling, in other words, everything that you see is giving you information while advancing the plot without actually literally telling you what is going on or what is going to happen.

John Williams' score continues to superbly accompany every scene, not only the action ones, but it also strengthens dialogues. I love the ending, but here is where both fans and critics are going to become very divisive. It ends with a huge cliffhanger and some people are going to be disappointed because they are left with this feeling of unfulfillment and if you don't know how to deal with it, you might think you didn't enjoy the film.

The truth is you can't have everything right now. This is a trilogy, so it is absurd to even expect that you are going to have everything that you wish for in the first movie of a new era. I wanted more from the second the film finished, I also felt a bit let down because the movie concludes with something I had been expecting forever. However, this is a great feeling to have because it means the film meant something, it means the movie was so amazing that I just can't wait anymore for the next one!

Nevertheless, The Force Awakens can't escape some minor flaws. While pretty much every single character is great, Maz Kanata (Lupita Nyong'o) is not. With so much practical effects surrounding every environment, a 100% CGI character is going to (negatively) standout. Besides, the whole subplot involving meeting with Maz feels a bit unnecessary and the story could have easily progressed without her.

However, my main issue with this film is its lack of originality when it comes to creating a new actual danger for the galaxy. I mean, the Starkiller Base is essentially another Death Star, just bigger ... Really? They couldn't figure out anything else besides another giant planet destroyer? It does not reflect J.J. Abrams' incredible direction and the production team's excellent work, at all.

Finally, there are some "problems" that I don't yet know if they are, in fact, problems. This is the first movie of the trilogy and some things happened that I don't know how or why they did, so I can't really fault the screenplay ... yet. We all know the huge plot device that Episode IV - A New Hope (1977) supposedly had for decades, but then Rogue One: A Star Wars Story (2016) was released and brilliantly solved what was already considered an internet meme.

This film does not have such a massive plot device, but there is one little moment that occurs in the first act that I still don't know if it is, in fact, a flaw or if there is an explanation waiting for us in the next movies.

All in all, The Force Awakens proves that the Star Wars franchise is still, very much, alive! This is easily one of the best films of 2015 and one of the best in the franchise. It features an outstanding cast with some excellent performances from the new actors joining the saga and powerfully nostalgic displays from the original members. Incredibly-developed characters carry this movie with the help of a mysterious and captivating screenplay, as well as a lot of visually exciting action sequences. J.J. Abrams has his stamp all over the film, with beautiful wide shots, massive practical effects, and exceptional use of visual storytelling. A cheap third Death Star and some very minor issues here and there don't allow the movie to shine flawlessly, but it is still freaking awesome! It undoubtedly belongs to my Top3, behind Empire Strikes Back and A New Hope.

Rating: A
**The following is a review that I originally wrote in 2015.**

Was it perfect?
No.

Was it basically a shot for shot retread of A New Hope?
Yeah.

Did it under-develop characters and plots of almost everything interesting to near Boba Fett-ian levels?
Sure.

Did the entire thing rely on about 47 ridiculously implausible complete coincidences that the story would have fallen apart without?
Sounds accurate.

But after more than three decades, is Star Wars finally back?
Damn right.

Apart from my just plain enjoying it, The Force Awakens makes me excited for the future of the franchise the first time in.. Well ever really. I liked the blend of new and old material, but I hope that moving forward, the series relies more on the new. I don't mean ditch all the original characters, I just mean we don't need endless callbacks to the past in Episode VIII. It worked fine for this one, and I totally get needing to re-acclimatise audiences, so I'm absolutely understanding of it in this case. But I hope they get away from that in future, and it seems very much as if that's the direction they're taking.
Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers.

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Óscar 2019 – Wikipédia a enciclopédia livre ~ A 91ª cerimónia do Óscar ou Óscar 2019 no original em inglês 91st Academy Awards foi uma transmissão televisiva organizada pela Academia de Artes e Ciências Cinematográficas para premiar os melhores atores técnicos e filmes de 2018 A cerimónia realizada em 24 de fevereiro de de 2019 e televisionada pela ABC ocorreu no Teatro Dolby em Los Angeles Califórnia onde foram

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Star Wars Episódio III – A Vingança dos Sith – Wikipédia ~ Star Wars Episódio III – A Vingança dos Sith em inglês Star Wars Episode III – Revenge of the Sith é um filme americano de space opera épica o sexto filme da série Star Wars a ser rodado e o terceiro em ordem cronológica lançado em 2005A terceira e última parte da trilogia prequela de Star Wars foi dirigido e escrito por George Lucas e estrelado por Ewan McGregor



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